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Performance art: from Futurism to the
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Arts alive in the west: the National Review
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Art Monthly Australia, no. 166, Dec. 2003, pp. 41-3, (4 colour)
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Performing postures
Women's Art Magazine (U.K.), no. 57, March-April 1994, pp. 9-12, 4
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Extremes of consciousness
Artists Newsletter (U.K.) Aug. 1996, pp. 7-9, 3 illus.
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THE POSTMODERN CONDITION: A REPORT ON
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Marina Abramovic's performance: stresses on
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Camera Obscura, no. 54, 2003, pp. 98-117, 3 illus. bibliog
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THE BODY AND SOCIAL THEORY
vii+232pp, Newbury Park, CA: Sage Publications, Inc., 1993
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Trusting in Rubber: Performing Boundaries
during the AIDS epidemic
TDR: The Drama Review: A Journal of Performance Studies, vol. 39, no.
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- Black looks: Race and representation
Hooks, Bell
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Performance: live art since the 60s
London: Thames and Hudson. 1998, 240 pp. 322 illus. (123 colour) ISBN:
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The new family of man
Creative Camera (U.K.), no. 343, Dec. 1996-Jan. 1997, pp. 8-11, 5
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An interview with Olu Oguibe
Third Text (U.K.), no. 47, Summer 1999, pp. 51-7, bibliog
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Orientalism
1985. 368pp.
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Cultural crossings: performing race and
transgender in the work of moti roti
Art History (U.K.), vol. 26, no. 3, June 2003, pp. 456-73, 5 illus.
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A secret history: Saul Anton on Walid
Raad
Frieze (U.K.), no. 72, Jan.-Feb. 2003, pp. 68-9, (6 colour) + figs
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