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Performing Identity in the Digital Age
(Released February 2005)

 
  by Rhiannon Armstrong  

Overview

Key Citations

Web Sites

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Key Citations Short Format Full Format
  1. Performance art: from Futurism to the present
    London; New York: Thames & Hudson. 2001, 232 pp. World of Art series, 186 illus. ISBN: 0-500-20339-3

  2. Arts alive in the west: the National Review of Live Art, Midland, Perth
    Art Monthly Australia, no. 166, Dec. 2003, pp. 41-3, (4 colour)

  3. Performing postures
    Women's Art Magazine (U.K.), no. 57, March-April 1994, pp. 9-12, 4 illus. bibliog

  4. Extremes of consciousness
    Artists Newsletter (U.K.) Aug. 1996, pp. 7-9, 3 illus.

  5. THE POSTMODERN CONDITION: A REPORT ON KNOWLEDGE.
    MINNEAPOLIS: UNIV MINNESOTA PR, 1984.

  6. Marina Abramovic's performance: stresses on the body and psyche in installation art
    Camera Obscura, no. 54, 2003, pp. 98-117, 3 illus. bibliog

  7. THE BODY AND SOCIAL THEORY
    vii+232pp, Newbury Park, CA: Sage Publications, Inc., 1993

  8. Trusting in Rubber: Performing Boundaries during the AIDS epidemic
    TDR: The Drama Review: A Journal of Performance Studies, vol. 39, no. 2, pp. 21-38, Summer 1995.

  9. Black looks: Race and representation
    Hooks, Bell

  10. Performance: live art since the 60s
    London: Thames and Hudson. 1998, 240 pp. 322 illus. (123 colour) ISBN: 0-500-01875-8

  11. The new family of man
    Creative Camera (U.K.), no. 343, Dec. 1996-Jan. 1997, pp. 8-11, 5 illus.

  12. An interview with Olu Oguibe
    Third Text (U.K.), no. 47, Summer 1999, pp. 51-7, bibliog

  13. Orientalism
    1985. 368pp.

  14. Cultural crossings: performing race and transgender in the work of moti roti
    Art History (U.K.), vol. 26, no. 3, June 2003, pp. 456-73, 5 illus. bibliog

  15. A secret history: Saul Anton on Walid Raad
    Frieze (U.K.), no. 72, Jan.-Feb. 2003, pp. 68-9, (6 colour) + figs